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Wednesday, October 14, 2026
Solid Circle

Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I'm Not Protective About My Body'

Within the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a plain white T-shirt. On stage, dancers can seem as mighty deities, yet often in person they are petite. This is not true for Ball, whose tall stature is one reason for his demand for princely characters and pas de deux work. Possessing fine traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

At 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his childhood interest in ballet. Joining the Royal Ballet School at 11, he graduated straight into the troupe and was promoted each year, reaching the highest position of principal in 2018. He has relished tackling substantial characters, especially the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured role is as himself, in an "Evening With" event designed to offer intimate perspectives into a dancer's art. He will walk the audience through a role, showing his mental process while execution. Even in lighter ballets, the test is profound. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Psychological Struggle and Post-Performance Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Does this exist? "I'm quite active usually, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Motivations and Creative Influences

Ball's determination stemmed from youthful setbacks. Not excelling in contests at school made him "driven!" It was fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, music, and art.

Close-Up Dance and Private Partnership

He also favors staging dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t typically matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite supporter."

On Social Media and Physical Perception

On social media, followers can see clips from his dance films and images that showcase a athletic form. Does he care that the engagement can be somewhat objectifying? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—something that can be seen on various ways.

Ball describes his early self as "eager for success." Did it lived up to his expectations? "I am conscious of how reality is a different reality to the dreams you had as a child," he muses. He probably has another decade of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Randall Lawrence

A software engineer and tech writer passionate about AI ethics and sustainable digital solutions, with over a decade in the industry.

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